About Matthew Brandt

Matthew Brandt received his BFA from Cooper Union and MFA from UCLA. Brandt has been the subject of institutional solo shows at the Newark Museum, the Columbus Museum of Art, Virginia Museum of Contemporary Art and SCAD Museum of Art, Savannah. Recent group exhibitions include works in New Territory: Landscape Photography Today at the Denver Art Museum,The Magic Medium at the Los Angeles County Museum of Art; Light, Paper, Process: Reinventing Photography at the J. Paul Getty Museum, Los Angeles; Second Chances at the Aspen Art Museum; What is a Photograph? at the International Center of Photography, New York; and Land Marks at the Metropolitan Museum of Art, New York. Brandt was shortlisted for the prestigious Prix Pictet Award in 2015 and had his work showcased in an exhibition at the Musée d’Art Moderne de la Ville de Paris. His work can be found in the permanent collections of the Metropolitan Museum of Art, New York; National Gallery of Art, Washington, DC; J. Paul Getty Museum, Los Angeles; Guggenheim Collection, NY; Brooklyn Museum, New York; Art Gallery of South Wales, Sydney, Australia; Virginia Museum of Fine Arts, Richmond; Cincinnati Art Museum; Los Angeles County Museum of Art; Hammer Museum, Los Angeles; Royal Danish Library, National Museum of Photography, Copenhagen; Denver Art Museum, Colorado; High Museum, Georgia; Detroit Institute of Arts, Michigan; and the Columbus Museum of Art, among others. In 2014 a monograph devoted to Brandt’s work was published by Damiani. Matthew Brandt lives and works in Los Angeles.

www.matthewbrandt.com

About Chris McCaw

Chris McCaw’s artistic practice is firmly rooted in the history of photography while pushing the medium in new directions. His experimental process recalls the work of photography pioneer, Henry Fox Talbot, combined with the slash and burn paintings of Lucio Fontana. McCaw has taken this notion of simultaneous creation-destruction and harnessed the resulting tension, working with the unpredictable process so elegantly that he manages a polished and highly crafted style, but one that remains dependent upon the brute and visceral contribution of chance and light and the spin of the Earth.

McCaw’s work has been exhibited at institutions including the National Gallery of Art, Washington D.C; J. Paul Getty Museum, Los Angeles, CA; Los Angeles County Museum of Art, CA; Art Institute of Chicago, IL; Museum of Photographic Arts, San Diego, CA; Phoenix Art Museum, AZ; Heckscher Museum of Art, Huntington, NY; George Eastman Museum, Rochester, NY; Museum of Fine Arts, Boston, MA; Crystal Bridges Museum of American Art, Bentonville, AR; Rijksmuseum, Amsterdam, The Netherlands; and Somerset House, London, UK. His work is in the collections of the San Francisco Museum of Modern Art, CA; Whitney Museum of American Art, New York, NY; Chrysler Art Museum, Norfolk, VA; Philadelphia Museum of Art, PA; National Gallery of Art, Washington D.C; Smithsonian American Art Museum, Washington D.C; Victoria and Albert Museum, London, UK; George Eastman House; Museum of Fine Arts, Houston; Museum of Photographic Arts, San Diego, CA; Los Angeles County Museum of Art, CA; J Paul Getty Museum, Los Angeles, CA; and many private collections. McCaw received the Emerging Icon in Photography award from the George Eastman House in 2014 and two Andy Warhol grants in 2008 and 2007.

www.chrismccaw.com

About Meghann Riepenhoff

Riepenhoff’s work has been exhibited and is held in the collections at the High Museum of Art, the Museum of Fine Arts (Houston), the Museum of Contemporary Photography (Chicago), and the Worcester Art Museum. Additional collections include the Albright-Knox Art Gallery and the San Francisco Museum of Modern Art, which holds Riepenhoff’s 12’x18’ unique cyanotype. Additional exhibitions include Yossi Milo Gallery, Jackson Fine Art, Galerie du Monde, Euqinom Projects, the Aperture Foundation, San Francisco Camerawork, the Denver Art Museum, the New York Public Library, and the Museum of Fine Arts (Boston).

Publications include ArtForum, Aperture PhotoBook Review, The New York Times, Time Magazine Lightbox, Wallstreet Journal, The Guardian, Oprah Magazine, Harper’s Magazine, Wired Magazine, and Photograph Magazine. Her first monograph Littoral Drift + Ecotone was published by Radius Books and Yossi Milo Gallery.

Riepenhoff is the recipient of a Fleishhacker Foundation grant, residencies at the Banff Centre, Rayko, and the John Michael Kohler Arts Center, and an affiliate studio award at the Headlands Center for the Arts. She is a 2018-19 Guggenheim Fellow.

Riepenhoff is based in Bainbridge Island, WA and San Francisco, CA. She received a BFA in Photography from the University of Georgia, and an MFA from San Francisco Art Institute. She is from Atlanta, GA.

www.meghannriepenhoff.com